• A Novel of Infidelity in Dialogue with Elena Ferrante’s “The Days of Abandonment” (New Yorker)
• We Have Always Been at War with Mexico (Pacific Standard)
• The Strange Second Death of Chinua Achebe (New Inquiry)
• The Ongoing Revolution to Unite African Literature (Pacific Standard)
• Against Literary Passports: the Many Languages of African Literature” (New Inquiry)
• After Before: El Libro de Carmen Boullosa (Full Stop)
• Is the Caine Prize for Emergent African Writing, or the Best African Writing?  (Literary Hub)
• On Roberto Arlt’s The Seven Madmen (Full Stop)
• Bolaño’s Teeth: Valeria Luiselli and the Renaissance of Mexican Literature (LA Review of Books)
• Elena Ferrante: Master of the Epic Anti-Epic (Literary Hub)
• Helen Oyeyemi’s Locked Doors (New Republic)  
• Has Imbolo Mbue Written the Great American Novel? (Literary Hub)
• In Kintu, a Look at What it Means to be Ugandan Now (Literary Hub)
• Hisham Matar’s The Return: Touching Bottom in an Ocean of Grief (OkayAfrica)
• Infidels is a Novel About a Gay Jihadi, and Also Not About That At All (OkayAfrica)
• A. Igoni Barrett’s Blackass and The Afropolitan Debate (OkayAfrica)
• Natives Is A Startling Novel About Sex, Migration And Stereotypes Of African Virility (OkayAfrica)
• Once is a Mistake, Twice is Jazz  (Guernica)
• Autumn of the Patriarch, Forgetting to Live: Gabriel García Márquez’s Memory (New Inquiry)
• David Graeber’s Debt: My First 5,000 Words (New Inquiry)
• Slow Down and Live: Roland Rugero’s Burundi (Pacific Standard)
• Carmen Boullosa: Raising Consciousness  (Guernica)
• Blindness and Vision (Nation)
• Underneath the Darkness (Boston Review)
• The Two Ngugis: Ngugi wa Thiong’o’s In the House of the Interpreter (LA Review of Books)
• The innocently readable novel (New Inquiry)
• None of You (New Inquiry)

zunguzungu:

• Hisham Matar’s In the Country of Men: parts one, two, three, four, and five
• David Medalie’s “The Mistress’s Dog”
• Laurie Kubuitsile’s “In the Spirit of McPhineas Lata”
• Timothy Keegan’s “What Molly Knew” 
• Beatrice Lamwaka’s “Butterfly Dreams”
• NoViolet Bulawayo’s “Hitting Budapest”
• Ernest Hemingway in Theodore Roosevelt’s Africa
• The genre of the African Child Soldier narrative
• We Can Go On, Let’s Go On: The Twilight of V.S. Naipaul
• The Pipes of Sembene Ousmane 
• Jonathan Franzen and Unfinished Realism
• The Language of Developmental Literature
• Franco Moretti and the Chinese Novel
• “What William Faulkner implies, Erskine Caldwell records”
• Heart of Darkness
• Hawthorne’s Letters
• Vintage Orientalism
• Seven Pillars of Wisdom, beginning at the end
• Ahdaf Soueif’s In the Eye of the Sun, click to look inside
• Amitav Ghosh, Margaret Atwood, and the Dan David Prize
• Steinbeck and Submarines
• Whitman and Martí: Soldiers of the Bridge
• Walt Whitman’s House
• The Aeneid on Facebook
• Opening the Savage Detectives and Salvaging the Revolution
• “9-11″ and Other Failures of Imagination
• Johann Hari, V.S. Naipaul, and bigotry
• Virginia Woolf in blackface
• Picturing Faulkner
• Kipling’s Swastika
• Africa as Anti-Empire of Signs
• Remembering to Forget
• Teaching this novel again
• Founding and Rape
• Terror and Housepainting
• 7 Panels of One Hundred Years of Solitude
• The Solitudes of Von Humboldt
• Shell Games: Keziah Jones and Things Fall Apart
• Things Fall Together; or, the different hats that Chinua Achebe wears
• Things Fall Apart and the Ethnographic Novel Fallacy
• Things Fall Apart: Unknown Knowns and the Research Seminar